Extended Edition: Wojtek Siudmak

Extended Edition: Wojtek Siudmak
A 2000 artwork by Siudmak.

Wojtek Siudmak is second on my list of "surrealist cover artist I wanted to include a two-page spread in my book," after Henri Lievens.

The Polish artist is alive and well today, but I couldn't get through to him while putting my book together. I reached out on the artist website after writing up this entry on Siudmak, but I never heard back, and when I dug up my notes for this email, I saw it's not even a live website anymore.


A topless woman rides an ostrich-like alien bird in a searingly orange desert. Hooded figures stalk behind her and the circulatory systems of giant eyeballs float above. This cover to a 1982 French sci-fi and fantasy anthology is classic Wojtek Siudmak.

Cover for L'année 1981-1982 de la Science-Fiction et du Fantastique, by Jacques Goimard 

Born in Poland in 1942, Siudmak moved to France in his twenties, in 1966, and quickly started a long career in French paperbacks, with a healthy amount of album art and movie posters thrown in.

1977 album art for Ocean by Eloy

Siudmak is a self-termed fantastic hyperrealist, crystalizing subconscious imagery into clean detail.

1980 cover for La bête, by A. E. van Vogt

His vibrantly detailed, Dali-esque scenes tend to feature collections of things objects and symbols that seemingly don’t belong together and are often set on beaches or empty planes, sometimes partially disintegrating.

1985 cover to a French translation of Ian Watson’s The Embedding

Like the best surrealists, a Siudmak cover teases its viewer with an elusive meaning. Recurring motifs include figures on horseback, disembodied faces, entire cities, and bison.

The majestic bison, on a cover for L'Année 1980-1981 de la Science-Fiction et du Fantastique, by Jacques Goimard
A Space Cat appearance on Siudmak’s cover art for the 1979 French edition of Clifford D. Simak’s Mastodonia.
Cover for the 1981 French edition of Jack Vance’s The Brave Free Men
"Golden Rider." There's more going on in this one the more you look at it.
1986 cover art for Norman Spinrad’s The Mind Game

His fans include Federico Fellini and George Lucas, and after roughly half a century, he remains today one of the biggest names in fantasy realism. As he put it in a 2004 interview, science fiction to him is the freedom to “créer sans limite” — to create without limit.

He also did more than a few Star Wars illustrations – I'm not sure on whether that was before or after George Lucas said he was a fan.